Images to Artwork: The Use of Photographic Images of the Civil
Rights Movement Used In Contemporary Arts
By: Rusty Clevenger
AHTC 2010 Summer
Institute
Abstract: In this lesson students will learn
about variety powerful photographic images from the Civil Rights Movement that
have been reproduced in art works by multiple visual artists. They will critique the visual art pieces
using the six principles of visual art (unity, variety, balance contrast,
proportion, pattern/rhythm), and they will learn about the time line of the
Civil Rights Movement through the class discussion of the photographic images
of the Civil Rights Movement. Students
will have to create their own piece of artwork by using local history of the Civil
Rights Movement.
Essential Questions
Assessment:
In this
lesson, students will be assed based the group presentation they present
highlighting the one particular Civil Rights Movement event and the visual art
piece that relates. Students will also
be assessed based on their ability to link photographic images to visual art
during group sessions and the completion of the Visual Critique Think Sheet.
Activities:
Setting the Purpose:
The teacher should begin the lesson by asking students to brainstorm
what kind of images they associate with the Civil Rights Movement. Students then will start to critique a
photographic image from 1957: Ruby Bridges
Ruby Bridges
http://blog.mawbooks.com/2009/02/05/through-my-eyes-by-ruby-bridges/
The Problem We All Live With Norman Rockwell
http://afrocityblog.wordpress.com/2009/05/
Students should be familiar with the six art
principles (unity, variety, balance contrast, proportion, pattern/rhythm)
and their use in composition. The
teacher should ask questions about environment, people, time, and actions. Where do you think this place is? When was this photo taken? Who are these people? What are these people doing? The teacher will then display the artwork in
which students will critique how the art used the six principles of visual art
to reproduce the photographic images.
1) The
teacher should divided students into six groups and creates six stations around
the classroom. Each of the six stations
will include a photographic image of a Civil Rights Movement topic, an image of
a visual artist reproducing the image in their artwork. The teacher should also hand out the Visual
Critique Think Sheet to the students.
The teacher
should collect the Visual Critique think sheet, review student’s thoughts and
then present students with a brief description of the events in each Civil
Rights Movement photographs.
2) The
teacher should then give students a copy of The North End 20 in C-UIA Walk Friday For Housing article from the AHTC
Civil Rights disc. The teacher should read The
North End article to the students while students highlight key phrases or
words that they find interesting and brainstorm of visual compositions.
Students
should focus on the following questions when listing and viewing the articles
3) The
teacher should assign the Visual Recreation assignment to the students. Students must use The North End 20 in
C-UIA Walk Friday For Housing article from the
AHTC Civil Rights disc in a multi-media collage that displays at least two
Principles of Art, (unity, variety, balance contrast, proportion,
pattern/rhythm). The students must
display their Visual Recreation and write a two- sentence response of their use
of the principles of in their Visual Recreation.
Analysis of Local Primary Sources:
In this
lesson, students will critque and analyze primary sources relate to
Champaign-Urbana during the Civil Rights Movement, such as theThe North End 20 in C-UIA Walk Friday For Housing article from the AHTC Civil Rights disc. Students will
also create a multi-media collage that displays at least two Principles of Art,
(unity, variety, balance contrast, proportion, pattern/rhythm) and the local
sources that were critiqued and analyzed.
Ties to National Primary Sources:
In this
lesson, students will link information about National Civil Right Movement
events to Champaign-Urbana Civil Right events in the nineteen-sixties. Students will learn about variety powerful
photographic images from the Civil Rights Movement that have been
reproduced in art works by multiple visual artists.
List of Sources:
Visual
Critique Think Sheet
AHTC Civil
Rights Disc